Mythologies often tell the truth better than facts—at least about the stuff that matters most: who we are, how to live and love, why we exist.
The Bible is brimming with truer-than-fact stories, and many of us heard a classic one from the first book of the Bible yesterday, on the first Sunday in Lent, and it even featured the fabled forbidden fruit.
As I pondered why it should matter to tell stories like these when the world swirls with chaos and pain, I stumbled upon a wonderful retrospective essay on Toni Morrison and her socially transformative work—perfect for Black History Month!
Most people probably don’t think of Morrison as a Black activist; she was a novelist. What does storytelling have to do with changing the world?
Ah! That’s exactly the connection to notice: the best stories are always world-changing, even if the “world” is one’s own interior landscape.
The essayist noted, for example, that Morrison’s novel Beloved is deliberately “fragmented,” and that she invented a kind of narrative language to evoke the unspeakable horrors of slavery and its brutalities, but also the resilience, the courage, the beauty of those who had been enslaved. For Morrison, stories matter because, at least in part, they can contain what our minds cannot confront.
Stories, fables, and mythologies often tell the truest things about us, even when we don’t want to know them. We tell stories to navigate the world, to pass along vital information, and to create places of meaning and purpose for ourselves in the unfolding evolution of the Universe. We also tell stories when we just can’t bear reality any other way.
Among the most important (and nearly entirely caricatured) sets of such mission-critical stories sits nestled in the first three chapters of Genesis, brilliantly stitched together from a variety of ancient mythologies by an ancient storyteller who is wrestling with what it means to be human. As we heard in church yesterday (if we could manage not to hear what isn’t in that story and turn down the volume on all the messages most of us heard from childhood and 1970s television ), this biblical storyteller struggles with the human condition because of a key conviction: we are not yet embracing the kind of life for which God made us (Genesis 2:15-17; 3:1-7).
In the same way that Toni Morrison understood the power of stories to contain what our minds cannot confront, this biblical storyteller can help us face the agonizing aspects of human life and also the staggering beauty of living as a creature of the living God. The struggle and the beauty; the agony and the glory—not only stories, but visual art carries into those spaces where are linear modes of cognitive sorting fear to tread, as artist Edwin Lester reminds me so vividly.
That’s what makes these first three chapters of the Bible so foundational: not as a pseudo-scientific account of human origins (Darwin is not an enemy of faith!), but rather as a story about the human condition that can help us travel along the good road toward flourishing.
We might also note that churches committed to the three-year lectionary cycle are currently living in Year A, which just happens to be the foundational year for the sake of Christian formation, and we certainly had plenty of material to sort through yesterday for the beginning of Lent! The story from Genesis, and also St. Paul’s interpretation of that story in his letter to the Romans (5:12-19), and still more: Matthew’s version of the temptation of Jesus in the wilderness (4:1-11).
Each of these texts separately and especially taken together reflect the ongoing and often deeply vexing struggle with it means to be human: in relation to each other, with the wider world of God’s creation, and in God. This struggle maps the entire Lenten journey—toward the Cross and into the Empty Tomb—and for many of us they are vexing texts, irritating, familiar enough to breed contempt, and almost always weaponized (as often happens with the best stories).
All of that vexation was certainly true for me, for many years, and then, as if flooded by divine illumination—probably because of a providential confluence of arguing with Christian fundamentalists about marriage equality and seeing a gay Jewish therapist about my own internalized homophobia—I suddenly read the Bible through an entirely different and luminous lens.
The following is the fresh path I’m still traveling through these texts, briefly charted (and if you want to read more about this, it’s at the heart of my book on thinking theological about sexual intimacy):
The first (and I would say most important and vital) thing to notice comes from the temptation in that ancient and iconic garden in Genesis. Quite honestly, my entire professional life, as well as my personal life, changed dramatically when I saw clearly what resided at the root of that temptation: shame.
Yes, it is also true that this story is about disobedience and guilt and the need for forgiveness; but those aspects are secondary, because they emerge first and foremost from the deadly dynamics of bodily shame—and they are indeed devilishly deadly. (I cannot recommend highly enough the work of Brene Brown on this; among here many videos and publications, you can start with this TED Talk on shame.)
I am thoroughly convinced that the vast preponderance of the world’s distress is rooted in unacknowledged and unaddressed shame. Notice carefully the character of the temptation itself. The wise serpent says to the first humans: “if you eat this fruit, you will be like God.”
Here’s the essence of that crafty invitation: to suppose that the way God made us isn’t good enough; being merely human is not enough—we have to be like gods.
That’s shame talking, not guilt, and the difference matters: Guilt attaches to something I’ve done; shame attaches to my sense of self. This ancient storyteller then shows us the deadly effects of shame: it separates us from each other, it separates us from the wider world of God’s creation, and it urges us to turn away from God.
Not just coincidentally, what follows immediately after this moment in the next chapter of Genesis is the story of fratricide, when Cain kills his brother Abel; shame often gets projected outward into violence—it’s in the daily news every single day.
The second thing to notice is how Matthew’s Jesus resists the deadly solutions to the problem of shame—even though they are very tempting.
Every year on the first Sunday in Lent, most Christians hear the story about Jesus being tempted in the wilderness. This year, I read that story as for the first time. Thanks to the lectionary pairings (like fine wines with a delicious meal of Mediterranean food?), it suddenly occurred to me that each of the temptations Jesus faced is just another version of what the serpent offered Adam and Eve in the garden: a way to reject human nature.
Oh, the trickster serpent says to Jesus, you’re hungry? A mere human couldn’t solve that problem; but if you really are the Son of God, why don’t you turn these stones into bread?
Oh, you’re afraid of heights? Mere humans usually are. But if you really are God’s chosen, jump off this high tower; God will surely save you.
Oh, you’re a bit short of money? That’s a classic source of human anxiety, poor thing. So just worship me, and I’ll give you all the riches of the world.
Jesus says No to each of these ways of rejecting his God-given humanity—he may be hungry, afraid, and poor, but his humanity is intact for the good road toward divine flourishing, toward the very purpose God intends, which is nothing less than abundant life, for all.
The story from Genesis presents that abundance, I would say, as a life made for communion—for deep intimacy with each other, an interlaced community with the wider world of God’s creation, and union with God.
Shame inevitably corrodes that purpose from the inside out, erupting into hateful speech, fragmenting families and communities, and maintaining deadly divisions among us with violence.
Among the many reasons Christian communities keep the Eucharist as the heart of their life of common prayer, surely this must be paramount: It is the Table of Communion: a visible and tangible reminder of the kind of life for which God makes us and toward which God wants to lead us.
Yes, gathered at that Table offers the vital assurance that we are forgiven; and perhaps today what we need even more urgently is that Table’s balm of love to heal our shame.
