A Re-enchanted Earth

And it was good.
And it was good.
And it was good.

This is of course the repeated refrain from the ancient story of creation in the very first chapter of the Bible—the Bible begins with goodness.

It’s worth noticing in this story that Creator God declares the light and the waters and the land and the beasts and fish and birds—all of it—as good long before humans ever appear.

Earth herself is good, quite apart from whether or not it is good for us.

Believing that Earth has its own intrinsic value would surely shift how most of us humans think about our place and our role in the wider world of God’s creation.

Devoting time and energy to such questions is one of the reasons I have grown to love The Season of Creation, a mini-liturgical season that has developed over the last thirty years or so and is now celebrated among Roman Catholics, Anglicans, Eastern Orthodox Christians, and many others in the month of September.

This little season has its own three-year lectionary replete with weekly themes and images. The first Sunday of this year’s cycle, which we celebrated just yesterday here in Saugatuck, was devoted to Earth. to the goodness of Earth, which is paired closely with the goodness of God in the ancient story from Genesis; creation and creator together are good—full stop, no conditions, no caveats.

“Beauty of Earth,” Chhaya Dubey

This emphasis on goodness matters, culturally and politically and not only religiously. Or perhaps a better way to say that: the religious significance of this story from Genesis appears most vividly in its cultural and political consequences.

Early Christian theologians, for example, used this story to destabilize the oppressive power of the Roman Empire, which is certainly a counter-intuitive use of a biblical text. The line of reasoning ran something like this: compared to the God who creates all there is out of nothing, Rome is certainly not eternal.

Equally intriguing is to notice where, when, and why this ancient story was first written. Most scholars date this story to the period of the Babylonian exile of ancient Israel, when Babylon invaded Judah, occupied Jerusalem, and took her people into captivity.

This was an unmitigated disaster for God’s people, and in that time of crisis, exiled from the land God had promised to give to them, it’s at least curious if not terribly odd to devote one’s energy to telling a creation story. The reasoning here ran like this: the Creator God who brings order out of turbulence will surely restore order to God’s people living in the chaos of exile.

Empires come and go, in other words, kingdoms rise and fall, and yet through all of that chaos—all of that “welter and waste” as Robert Alter’s translation would have it—Creator God brings forth order, harmony, and beauty.

“Earth Healing,” Gaia Orion

Naming and living the significance of this story today presents a different kind of challenge, and in some ways for a much more severe crisis. We modern humans have, in effect, exiled ourselves from the goodness of Earth in the midst of an ecological crisis our ancestors never could have imagined.

Today’s crisis, the challenge of living in the spiral of a collapsing network of ecosystems, pushed me to pay closer attention to the lectionary choices yesterday—and I stumbled into an insight from those texts I hadn’t seen before.

For some years now, I have relished reading the first chapter of Genesis together with the first chapter of John’s account of the Gospel. As some scholars have suggested, John is basically early Christian commentary on Genesis—the first verse in both books is the same: “In the beginning…”

But here’s what I haven’t considered before: John seems to invite us into the inner life of Earth, where the creative Word of God shimmers with divine energy, that Word who was with God from all eternity, and who dwells with us in the flesh (John 1:1-14).

It occurred to me, in other words, that John might be inviting us to notice an “inside” and an “outside” to God’s creation. As strange as that sounds, we do sometimes speak that way about ourselves. Each of us has an inner life, most of which is usually known only to ourselves or perhaps an intimate partner, and also an outer, visible life seen by others.

The failure to think that way about the wider world of God’s creation, about this “inner life” for Earth, is likely at the root of today’s ecological crisis. Modern human societies have treated Earth mostly like a giant rock floating in an empty space—the “third rock from the sun”!—rather than a living organism, brimming with life itself, and with the very Word of God as her heart and soul.

Meanwhile, modern industry and the burning of fossil fuels have exacerbated what is actually an ancient problem. Yesterday’s lectionary described that problem in a passage from the first chapter of Paul’s Letter to the Romans (1:18-25): God’s invisible Spirit has been clearly shown through the visible things God has made, Paul says; but human beings have not honored that Spirit.

We’re using the First Nations Version of the Christian Testament of the Bible in this season, and in that version of Paul’s letter, the “failure” to give God proper thanks is referred to as an “empty way of thinking,” which has taken hold of our “foolish hearts”—a powerful reminder, it seems to me, of mind and heart intertwined, connecting what we think and how we feel for the way we act.

Reading from this version of the Christian Testament can remind us that our indigenous neighbors think and feel differently about Earth—about the land, other animals, about sea and sky. Much like St. Francis of Assisi, actually, indigenous communities treat everything around us as living beings. Francis famously sang the praises of “Brother Sun and Sister Moon,” of “Brother Wind and Sister Water,” and of course Mother Earth, who “sustains and governs us.”

This respectful posture of loving relationship—rooted in both indigenous and Christian traditions—certainly seems at odds with our frequent dredging, stripping, drilling, fracking, and burning of Earth, our mother.

In the late nineteenth century, the German ethicist Max Weber sounded a note of severe caution about Western society. He worried that certain strands of the Protestant Reformation had basically “evacuated God from Earth” to reside only in Heaven. This leaves Earth, as Weber put it, a “disenchanted place,” simply a giant warehouse of stuff for us to use however we wish.

Against that grim backdrop is John’s luminous vision of God’s very own Word creating and animating the whole world, enchanting it with divine presence—and this, we might dare to suppose, this re-enchantment of Earth, might very well be a lifeline of hope.

Despair is easier, especially since it is now perfectly clear that we as a species and a global community lack the political will to address climate change effectively, Indeed, many environmental scientists are publishing plans for how we now need to re-orient our lives and adapt to what is now inevitable: seriously harsher living conditions on this planet because of a swiftly changing climate.

“Adaptation” sounds modest and doable; but the kind of adaptation we need to consider is actually quite dramatic and, as many scientists worry, our species may not be up to the task. I truly believe this is precisely what religious communities of vibrant spiritual practice are for. Adapting in the ways we now must, it seems to me, will be possible only if we embrace Earth herself as alive with the presence of God.

A re-enchanted Earth would re-shape what all of us think and how all of us feel for a different way to live.

And still more: a re-enchanted Earth would renew us with hope, perhaps even inspire us with joy, and move at least some of us to dance for the resilient goodness of Earth herself.

I would say yet more about Christian worship: a re-enchanted Earth is precisely why Christians should bother to gather around the Eucharistic Table every week, where God offers God’s own self to us in love, as bread and wine, with grain from the soil and grapes from the vine—this is my body, Jesus says, this is my blood: the very Word of God in the stuff of Earth.

And it was good.
And it was good.
And it is very good…

“Brother Francis and the Canticle of Creation,” Nancy Earle

Seeing and Touching, Trusting and Healing

Lent always seems drenched with thick symbols (meals, foot-washing, the cross). The Easter season seems populated with big words, with words that carry with them a rich and complex history—words like “doubt” and “belief” and “trust”; words like “breath,” “spirit,” “forgiveness,” and “peace.”

I’m kind of obsessed with etymology, so a season so packed with richly-storied words becomes a treasure-trove. Those words I just noted, for example, punctuate key moments in what some scholars call the “mystical Gospel according to John.” The word “mystical” in this case I take to mean the endlessly mysterious presence of God in us, in other animals, in our shared creaturely flesh, in every ecosystem, in Earth herself—a presence that animates everything with divine life.

John and his community of believers could be described as a group of first-century Jewish mystics, deeply rooted in the traditions of ancient Israel, and who loved reading the wider world of God’s creation in the light of the risen Christ, and even more, always doing so while gathered around the Eucharistic Table.

This past Sunday—the second Sunday of Easter, which is always devoted to the familiar story of Thomas (John 20:19-31)—offered at least three “mystical moments” worth considering for a world in need of healing—and how a wordy history might help.

The first moment occurs in what can easily be overlooked as a random detail in the story. The risen Jesus appears to his closest friends, but of course Thomas wasn’t there at the time. He shows up again about “a week later”—or that’s what most of our translations indicate, about a “week.” The original Greek is much more specific: the risen Jesus appeared among them again eight days later.

For ancient Israelites, this is not a random detail. It evokes a way of thinking about the Sabbath, especially among the later Hebrew prophets, weary of war, longing for justice, laboring hard for peace. For them, the Sabbath is not merely for rest; the purpose of Sabbath is to inspire and anticipate that great day when all work will be finished at last and brought to its completion—that’s the “Eighth Day.”

John points toward that great hope with Jesus on the cross; he dies there, John says, on the day of Preparation for the Sabbath—and not just any Sabbath, but one of “great solemnity.” Anticipating that final Sabbath when all work shall at last be completed, John’s gospel is the only one in which Jesus dies by declaring “It is finished.”

John seems to underscore this point when Jesus blesses his friends with peace—not once, not twice, but three times in the Thomas story. Much more than only “peace,” the Hebrew word shalom means more richly wholeness, coming to fruition, completion.

The second mystical moment comes to us on a gentle breath of soft wind. The Greek word pneuma can mean both breath and spirit; that pun also works in Hebrew. The Spirit is the breath that God blows into the first human’s mouth in Genesis, giving life to that creature made from the mud of a garden.

In John, Jesus is buried and rises in a garden; he then breathes on his friends, not only with the Spirit of life but also of forgiveness.

I’m grateful to be using the First Nations Version of the New Testament in worship this Easter season. That indigenous translation renders the notion of sin as “bad hearts and broken ways.” In that sense, forgiveness is actually a path toward healing and wholeness, and not only for individuals but communities.

That path shed some surprising (for me) light on an otherwise familiar section of that passage from John. I’m accustomed to hearing the risen Jesus warn his friends about retaining the sins of others, because then they will be retained (20:23). Sins aren’t actually mentioned in that Greek phrase at all. The original Greek suggests instead that “whomever you hold, hold fast.” When you forgive someone, in other words, hold on to that person, keep them close in the community, where they and you belong together.

For the third mystical moment from this story, we might recall that the verbs for “seeing” and “knowing” are directly related in Hebrew. In the third chapter of Genesis, the serpent tempts Eve to see in order to know, and so she reaches out to take the forbidden fruit that looks so delightful.

In John’s account of the Gospel, Thomas demands to see the wounds of Jesus in order to believe. But John’s Jesus invites Thomas into an even greater intimacy. “Reach out and touch the wounds,” he says. Put your hand here—or as the Greek word more directly means, thrust your hand into my side, Jesus says, and then believe.

That old saying “seeing is believing” has its origins in this story about Thomas. More accurately, however, Thomas is invited to “reach out and touch to believe.”

“Doubting Thomas with Jesus,” Krishen Khanna

This is underscored more than once in what the lectionary provided from the first letter of John this past Sunday: We saw the risen Jesus with our own eyes, he says. Even more, we touched him with our own hands; we touched the One who is life—not just any life but the unending life of “beauty and harmony,” as the First Nations Version describes it (1 John 1:1-2).

These powerful words and images are addressed to John’s future readers, like us, the ones who were not in that upper room with the disciples. Just as Jesus urges Thomas to reach out and to touch, so also Christians gathered around the Eucharistic Table are invited to reach out, and to touch, and then still more, to take, and to eat—just like Adam and Eve did in the garden, but we do it for life, not death.

I love the story of Thomas. I love John’s account of the Gospel and John’s letters. I love these ancient texts because they show us it looks like and how it feels to live as a community of believers with some wonderfully rich words. Believing is the operative word in this case, which is not the same thing as knowing.

Faith is not knowledge, and certainly not certainty; faith is a posture of trust not only toward the infinite mystery of the living God, but also each other. And that’s what makes belief so invigorating and sometimes terrifying.

The verb “to believe” comes from an old Germanic phrase to indicate the “giving of one’s heart to another.” If I say, “I believe in you,” I don’t mean merely that I know something about you; I mean quite brashly and beautifully that I’m willing to give my heart to you in trust.

The figure of Thomas in John’s gospel stands not as a cautionary tale about doubt—all of the disciples doubted at some point and in some fashion. No, Thomas stands as a reliable spiritual guide, reassuring us that risks are worth taking for a life of trust; I may just need to get that tattooed on my body somewhere where I can read it every day. Trust has never been easy for me—and maybe it’s not ever easy for anyone.

Surely this is what makes John’s mystical Gospel a matter of some urgency in the world today, a world experiencing a profound crisis of trust on so many levels.

Would it matter in such a world for a community of believers to risk giving their hearts to each other, to show a world in pain what trust looks like? I believe so, not because the church does this perfectly or even well but because that’s the only path I can see—and touch—toward healing.

“Easter,” Georgi Urumov

Born Again to the Love of Trees

This past Sunday, Christians observing the Season of Creation heard from one of the classic creation stories in Genesis (2:4-22). Here at All Saints’ Parish in Saugatuck, we heard Robert Alter’s translation of that passage, a “tale of the heavens and the earth when they were created.”

That passage, in other words, and just like the one in the first chapter of Genesis, is a legend, a myth, a story. That doesn’t mean it’s not true, but it is not a scientific account of how things came to be; it’s a spiritual account of who we are and where we belong in relation to each other, to the wider world of nature, and to God.

This is precisely and tragically what we have forgotten as modern Western people.

The Season of Creation this year begins where the Bible begins, with this powerful reminder from an ancient storyteller of who we are and where we belong.

Notice just a few of the features of this tale of belonging, beginning with a forest. 

I’ve read this story from Genesis many times over the years, and for some reason I never before imagined the Garden of Eden as a forest.

“Natives Playing on the Land,” Lawrence Paul Yuxweluptun

Creator God makes the first human from the dirt and then causes the soil to bring forth every tree that is lovely to look at and is good for food. That’s where God places the human—in a forest.

And just like Saugatuck and Douglas, where I work and live, a river was running through that ancient forest. I started to pay much closer attention to rivers when I was living in California and how important they are on a drought-prone landscape.

Soil, water, plants, food—everything that first human needed for life, except for one thing: companions.

As a spiritual account of who we are and where we belong, this ancient story suggests quite directly that companionship is not optional but actually essential, it’s mission-critical for flourishing.

In this era when the Centers for Disease Control has identified loneliness as an epidemic in this society, with a whole host of health consequences, in this era when so many humans feel so isolated, even alienated from the wider world of God’s creation, let’s notice that the first companions of the first human were other animals.

“Adam Naming the Animals,” Barbara Jones

These other animals were not merely resources or commodities, or just a bunch of livestock; these were companions. The first human even gave them names! I don’t mean taxonomic classifications into distinct species, I mean names, like my dear Aussie shepherds Judah and Tyler, and my beloved golden retriever Sydney, and the beagle I grew up with, Ginger.

Perhaps now more than ever, the world today needs a spiritual account of who we are and where we belong with all the other creatures of the same Creator God.

This first week of the Season of Creation draws our attention in that regard to the forest where the first humans began and, I would suggest, to where we must now return—a long overdue homecoming, as it were, to the many forests where we belong.

Back in the 1980s, the Japanese Ministry of Agriculture began studying a popular cultural trend of spending time immersed in nature—and especially in forests; people were doing this as a way to address high levels of burnout in the technology industry.

The researchers coined a term for this practice—“forest bathing”—and the results of that study were remarkable. Among people spending even short periods of time in forests, they documented significant improvements in immune system function, notable reductions in blood pressure, accelerated recovery times from surgery, measurable gains in the ability to focus, even among children with ADHD, and also reams of anecdotal evidence about increased energy levels and better moods—and all of this thanks in large measure to the quality of the air generated by the trees, the insects, the fungi, and the mosses.

“Dancing Trees,” Oliver Wong

Having just celebrated Labor Day, giving thanks for a social movement of human beings that vastly improved the conditions for the working poor, among others, let us also give thanks for the shared labor of trees that makes the conditions for life itself on this planet possible.

Trees perform this amazing feat in many ways, not least for the air we breathe in that magical process called photosynthesis that converts carbon dioxide into oxygen.

Air, breath, breeze, wind—these are all equally suitable ways to translate the word we see rendered in the Bible as “Spirit.” John loved making that theological pun, as this season invited us to hear on Sunday from John’s account of the Gospel (3:1-16). “The wind blows where it wills,” Jesus says—that’s the Spirit, the very breath of God, the source of life everywhere on this planet.

It’s the same pun, by the way, made by the ancient storyteller in Genesis. That story begins with the Spirit of God moving over watery chaos like wind—it’s the very same word used to describe God’s own breath filling the nostrils of the first human who then resides in a forest.

As part of this spiritual account of who we are and where we belong, we might take note of what scientists have been learning about trees for several decades now—and it’s mind-blowing.

In his 2015 book The Hidden Life of Trees, Peter Wohlleben, a forester, summarizes beautifully what we have come to understand about trees as truly social beings.

A forest, for example, is not just a collection of individual trees; it’s a community, with older trees supporting younger ones by sharing nutrients. Trees can actually count, learn, and remember. They care for and tend sick members and they warn each other of danger by sending messages through fungal networks—I saw this happening in the Sierra-Nevada Mountains back in California: when one tree succumbed to the drought-driven bark beetle infestation, nearby trees started to produce more sap to protect themselves.

We stand today as a society in need of profound change, a dramatic reorientation of how we see ourselves living on this precious Earth and with her many creatures, including trees and forests. The change we need is so pronounced we should probably borrow the now-classic image from John’s account of the Gospel: we must be born again.

“But how can this be?” Nicodemus says to Jesus. I can’t crawl back into my mother’s womb and start all over. We can’t possibly retool our electrical grid, redesign our whole transportation system, re-evaluate our entire food supply, or reconsider how we live with other species—plant and animal. How can we possibly do all that?  

How? By falling in love.

Evolutionary biologist Stephen J. Gould once noted that “we will not save what we do not love.”

For God so loved the world…

God saves the world not of anger but only and always out of love. Always and forever for love.

And so the stories we tell about who we are and where we belong must be stories filled with wonder and amazement and gratitude—stories told by people who have fallen in love with the world of God’s creation.

We must tell the kind of stories that sound like we have just been born all over again…

“The Love of God,” Sabrina J. Squires

Living as Ikons of God

And it was good.
And it was good.
And it was very good.

“Trinity,” Rom Isichei

There are still four more instances of that declaration of goodness in the first account of God’s creation of the world in Genesis, and many Christians heard all seven of them this past weekend when we celebrated Trinity Sunday.

What does it mean to call something “good”? What makes something “good” and how can we discern when it is? And why would it matter so much to repeat this refrain of goodness so often in the story of creation?

I’m guessing that human beings have not changed so terribly much over the last few thousand years. Just like today, humans in the ancient Mediterranean world likely thought something was “good” when it was good for them; something’s good when we can use it, or sell it, or trade it for something else; we become the standard for what’s considered “good.” I cannot help but think of how often I called my dear dog Judah a good boy simply because he obeyed me!

So perhaps it’s time to notice again (or for the first time) that all but one of the declarations of goodness in the first chapter of Genesis occur before humans even existed. Six out of seven times, God’s creation is declared good without any reference to human beings.

The whole creation itself is thoroughly good—whether it’s useful to us or not.

Well, that’s rather rude, isn’t it? Don’t we count for anything? Yes, we do, and much more so than most of us have dared to imagine—and sometimes more than we want to believe. To be described as “very good”—as humans were in that story—comes with some responsibilities.

John of Damascus, a monk and theologian of the seventh century, was embroiled in what came to be known as the “iconoclast controversy.” This was a vigorous debate about whether it is appropriate to have icons, or visual images, in churches.

John was an ardent supporter of icons and actually cited a familiar verse from Genesis to support his case: “And God said, ‘Let us make humankind in our image…”

John would have been reading the Greek version of that passage, and in Greek that phrase—“in the image of God”—reads as the icon of God.

The human face as an icon of God! Shouldn’t this take our breath away? My face, and your face, and every single human face we see, all of them, icons of the God who made us!

And so, John of Damascus says, if you degrade and denigrate and reject visual images, you offend the artist—and in this case, the artist is God.

I think a lot these days about the visual arts, living and working as I do on what many call the “arts coast” of Michigan. We Christians actually have a lot to say and to offer, from our own Christian traditions, about the importance of visual images, the spiritual depth of art as it connects us to Creator God, the very source of creativity itself.

We might also note, rather urgently, that the stakes are rather high in this shared artistic endeavor with God. John of Damascus goes on to note something else about that familiar passage in Genesis. We are created not only in the image but also the likeness of God.

Those are not the same words; in fact, in Greek the word “likeness” is not a noun but a process, not a state of being but a state of becoming.

We are created in God’s image, yes, but we’re still on the way toward God’s likeness.

To be human is to be engaged in a profound process of assimilating to God, of resembling the One who made us, of being constantly formed and transformed into the divine creatures God intended to make from the very beginning.

The choices we make in this life shape the course of that journey; that’s why the stakes are so high, and that’s why visual artists can help us.

Visual artists can help us see at least a bit more clearly the imprint of God not only in our own faces, but also in the faces of those who are different from us, even different species, and in Earth herself. And by seeing more clearly the presence of God all around us and among us and in us and in each other, hopefully we will act and live differently.

“The Trinity,” Paul Rivas

As we launch into June, LGBTQ Pride Month, we need to see just exactly how high the stakes are for the varieties of gendered sexualities in the human race. Beyond the usual platitudes—“love is love” or “we embrace diversity”—we need to see much more clearly that those who do not conform to the standards of White Patriarchy are increasingly at risk of serious physical harm, especially with easily accessible firearms.

This risk pertains no matter where we happen to live or work or play in this country, from shopping malls and suburban streets, to national parks and urban office buildings—and this risk continues for black and brown people, just as it always has been present for women.

And still, it was good.

Everything depends on the goodness of God’s creation, and therefore on the goodness of God—a divine goodness in which we are invited to participate ever more fully.

That’s a key word—participation—for a celebration of the Trinitarian character of God. Rather than some abstract metaphysical doctrine, affirming God as Trinity is meant to draw us ever deeper into the never-ending mystery of God’s own life of self-giving, reciprocal love.

Returning to John of Damascus for a moment, he used a mostly untranslatable Greek word to describe this Trinitarian mystery of God—the word is perichoresis.

Some scholars have noted that there is at least a trace of our word “choreography” in that Greek term. John apparently was inviting us to think about the Trinitarian relationships of God like a cosmic dance—and if you’ve ever been swept away by the alluring rhythms of a tango or the gracefulness of a waltz, the energy often spills off the dancefloor and you can feel it pulsating across your skin, rumbling in your muscles, your heartrate rising.

“Lakota Trinity,” John Giuliani

And that, John of Damascus said, is how God creates. The creative energy and fertile relationality of God’s own life just spills over, as it were, and the whole Universe comes into existence—the whole cosmos itself as an unimaginable dance of evolving, changing, glorious life.

That mutual and eternal exchange of divine energy among the divine persons makes it impossible to tell the dancers from the dance and the dance itself is endless, deathless love—that’s the Holy Trinity, a doctrine that could actually change the world!

The very source of creativity itself is swirling all around us and in us and among us—our very faces the ikons of Creator God as we journey into God’s own likeness, from one degree of glory to another—world without end!

Now…let’s live as if this were true.